Showing posts with label success. Show all posts
Showing posts with label success. Show all posts

Wednesday, July 27, 2016

Breaking for a Historic Moment

Two posts ago, I shared my main goals for the rest of the year and included a timeline. As I write my first draft of the last book in my Awakening series, having that timeline out there for all to see has helped me return to the keyboard even when I'd really like to binge-watch the next three Agents of Shield episodes. (I decided to watch the series on the recommendation of two other participants in the creative retreat described in my last post.)

Hattie Caraway, the first woman elected to the Senate.
But yesterday I got an email from a friend who has raptly followed the conventions of both major political parties. The roll call was likely to be at about 4 p.m. central time, he told me, so if I wanted to see a historic moment, I should tune in.

I wrestled with taking a break for something that held no real suspense. Sure, there was a question of what, exactly, Bernie Sanders would do, but he'd already endorsed former rival Hillary Clinton. She was going to be nominated. And yet....

A woman nominated for president of a major political party is something that's never happened before in the United States. It's something that my mom, who was born just three years after women got the right to vote, didn't live to see. So I tuned in.

It took much longer than I expected. So long that I finally got my laptop and multi-tasked (something I generally avoid) by scheduling some advertising for August.

But it also was far more moving than I expected. Regardless of political views, hearing a woman born before women had the right to vote announce her state's delegates for the first woman to be the nominee of a major party...amazing. A Wall Street Journal article today talked about how far women have come, and yet I'm so often struck by how much as not changed. There are only 20 women in the Senate, for instance, despite having had the right to vote since 1920. Twenty.

Last night, though, I didn't think about that. I thought instead about how many girls will grow up in a world where it seems perfectly normal for a woman to be president. Where, perhaps, there'll be women running on both sides and no one will even comment on it.

For today, though, it is groundbreaking, so I felt the need to take one more break to write about it.

And now...back to work.




Wednesday, March 9, 2016

A Hundred Ways To Look At Hillary (A Favorite Books Post)

This book generated the most book club discussion.
My clearest first memory of Hillary Clinton is from 1992. She reacted to criticisms of why she'd worked as a lawyer even while having a child by saying, “I suppose I could have stayed home, baked cookies and had teas.” She went on to point out that her work as a professional and a public advocate had been aimed at ensuring women could make choices, “whether it’s full-time career, full-time motherhood or some combination,” but that aspect of her comment wasn’t widely reported.

While I wasn’t excited about her husband’s candidacy, Hillary intrigued me. I’d grown up in a world where only one of my friend’s moms worked, and when other parents talked about it, they whispered she works as a hushed aside, the same way people said she has cancer. That was always followed up with speculation that her husband’s business must not be going very well. Because of that, much as I loved the cookies and cakes my mom baked (which I often traded for store bought Ho-Hos we couldn’t afford), I liked Hillary’s unabashed statement. My mom, along with her baking, also got involved in local politics, served on boards of non-profits, and volunteered on a regular basis with various organizations, so she provided me an example of a strong, smart woman who got things done. But Hillary said unequivocally, yes, a woman can be a professional, a woman can pursue a career, and there is nothing wrong with that.

When Hillary Clinton ran for president in 2008, my women’s book group read a book that sparked more discussion than any other: Thirty Ways of Looking at Hillary. Normally, I’m not a fan of books of essays. I love novels, particularly suspense and thrillers, and I read them all the time (and write them), but I have to push myself to read essays and non-fiction, other than business and finance books. But these essays I love because they run the gamut. The writers not only address Hillary Clinton as a person and politician, examining her past, her aspirations, and her actions, they consider what her life and choices—and the widely varying endorsements and critiques of them—say about our world. The essay titles alone fascinate me, from The Yellow Pantsuit to All Hail Betty Boop to Cheating to How Hungry is Hillary? (For my thoughts on how commentary of her wardrobe reflects the extra effort and thought women must put into being seen as professional, see Do The Clothes Make The Woman?)

Now that she's completed one presidential primary campaign, served as Secretary of State, and is once again seeking to become President of the United States, there is more and more to say about Hillary Clinton, but one things remains the same: she sparks strong feelings in everyone. So my main goal for the primary season, other than avoiding as many political ads as possible, is to reread Thirty Ways of Looking at Hillary.

Wednesday, March 2, 2016

Will The Real Lawyer, Writer, [Insert Your Profession Here] Please Stand Up?

When The Awakening appeared on Best Sellers in Horror
When I worked as a paralegal and was nearing the end of law school, I talked with an attorney about a lawyer position I'd been offered. It didn't involve much trial work, and I said that in my mind a real lawyer was one who tried cases. He told me that though he tried a lot of personal injury cases, he felt he wasn't a real trial lawyer because he'd never tried a murder.

That feeling that whatever we do is not quite the real thing is sometimes known as the “imposter syndrome.” I recently shifted from full time lawyer who is writing on the side to full time author who practices law part time. This change has caused me to think more about identity and work, including what factors might affect the imposter syndrome.

Who feels it?


In the articles I read, the experts estimated that as much as 70% of the public experiences the imposter syndrome at one time or another. In fact, the New York Times quoted Maya Angelou, the late author and poet who spoke at President Obama's Inauguration, as saying she felt with each new book that people would find her out and realize she wasn't as accomplished as she was reputed to be. While some studies suggest women are more apt than men to feel like imposters, some U.S. presidents (obviously all men to date) have reported feeling that way on their first day in the Oval Office. Also, the two lawyers I spoke with about this were men. The first was the one mentioned above. The second was a male prosecutor. He'd been practicing about three years when we had the conversation, the same amount of time I had. I told him he seemed more like a real lawyer to me because he was in court more than I was. He said he thought I was more like a real lawyer because I often researched and wrote briefs (written arguments to submit on paper to the court) and analyzed and argued complex legal issues in ways more similar to what we’d learned to do in law school.

As Seen On TV


I suspect that professions frequently shown in television shows, books, and movies are more apt to trigger imposter feelings. Pop culture depicts the most exciting parts of any profession, leaving anyone who actually does those jobs feeling like they're the only ones doing the drudge work.

When I was practicing law full-time, a typical week went like this: get on an hour long conference call; read a document my opponent filed with the court; research cases in a legal database; write a legal brief; email clients and other lawyers; and rewrite that same legal brief four or five times. Maybe 15% of my work involved trials, hearings, or appellate arguments, but usually if I went to court, it was for all of fifteen minutes to an hour to argue a motion. In other words, the video would show: work at my desk, work at my desk, work at my desk, walk two blocks to court, sit, talk, return to my office and work at my desk. Even the criminal lawyers I know who try a lot of cases—making their jobs more like what’s on television—typically spend at least half their time sitting in court waiting for their cases to be called, trying to collect fees from clients, and driving from courthouse to courthouse. Likewise, I suspect most doctors don't find their lives nearly as exciting as those on television.

What's Money Got To Do With It?


How much we get paid or whether we get paid at all matters. Yet how much a person makes, especially in the arts, often has little to do with the quality of work. I've seen plays in various cities in the United States, including New York, and in London. The ones I’ve thought were the most amazing were at small storefront theaters in Chicago where many of the actors, directors, and other artists involved needed to have other full or part-time jobs. Likewise, most novelists, with notable exceptions like Stephen King and Mary Higgins Clark, take on other work to help pay their bills. All the same, not making a full-time living at what you do can make it easy to feel you’re not worthy of calling yourself an actor, author, designer, artist, etc.

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As an author (and a lawyer), getting paid matters to me because it means I can spend my time doing work I love rather than working only with the goal of surviving. Equally important, it means there’s a demand for what I do. On the other hand, commercial success doesn't always leave people feeling satisfied or "real." The movie Birdman focuses on an actor with tremendous commercial success who feels the need to do "serious" work in order to feel like a real actor. Similarly, I know independent/self published authors who make a better living than authors published by traditional print publishers, but they still get asked whether what they truly want is a "real" book deal.

Longevity and passion often matter as much as money when it comes to identifying ourselves with our work. If you’ve been writing poems for twenty years, whether or not you show them to anyone or publish any, you probably feel like a poet. Similarly, if you love your work for a non-profit medical clinic treating homeless people, that may be less important to you than whether you could earn three or even ten times more as a plastic surgeon. For myself, I try to balance all these factors and focus on the best parts of my writing life and law practice.

Beware The Shifting Bar


Viewing goals as unimportant or easy to achieve once we’ve met or surpassed them adds to the feeling of being an imposter. For many years, I never called myself an author, as opposed to a writer, because I hadn’t had anything published. Then once I’d had poems, short stories, and articles published in magazines, I still wouldn’t call myself an author because those publications paid very little or nothing at all. I felt that way even though many literary magazines and trade journals don’t pay their authors, and even though before I had those pieces published, getting into any of those publications seemed like a high hurdle. Years later, when I started publishing my thrillers, my goal was for the first one, The Awakening, to appear in the Top 10 on the Kindle occult or horror best seller lists. When that happened, I was very excited, particularly since it appeared alongside a Stephen King novel and stayed on both lists for many weeks. I printed out the horror list the first time and framed it (see above--this is in my home office). But within a week or so it didn't feel as significant. In retrospect, it seemed easier to have achieved, and it didn't feel like the stamp of approval I'd once imagined it to be.

All the same, I believe in setting new and larger goals all the time. It keeps life and work exciting and compelling and keeps me moving forward. But I try to remember how hard certain goals, like the first 10,000 downloads or the first $1,000 in sales were before I rush to the adjust the bar.

What about you? Do you feel like a "real" [insert your profession here]? Why or why not? Would you like to feel differently?